Lot 96
  • 96

Youseff Sida

Estimate
15,000 - 20,000 USD
bidding is closed

Description

  • Youseff Sida
  • Calligraphy 
  • signed and dated Y. Sida 1988
  • oil on canvas 
  • 70 by 80cm.; 27 1/2 by 31 1/2 in.

Provenance

Collection of Pharos Art Fund, Cairo
Acquired directly from the above by the present owner in 2015

Condition

Condition: This work is in fair condition. There are stretcher marks and the rubbing associated with that on those sections. There is a minor tear to the bottom left edge. There is rubbing throughout in particular along the central vertical axis and the outer edges. There is a minor loss to paint on top left corner and minor 0.5cm. tear on centre left. there is spots of foxing and some rust marks on bottom right corner. Colour: The catalogue illustration is accurate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Born in Damietta in 1922, Youseff Sida began to develop his artistic career following his graduation from the Higher Institute of Educational Art in 1945.

Sida is perhaps most well-known for his dynamic palette and use of vibrant, unmixed primary colours. These have tended to dominate the artist’s style from his early works through to the calligraphic compositions of his later career. Unlike many of his contemporaries, Sida decided to continue his artistic education in the United States. He was awarded a Fulbright Scholarship in 1950 which allowed him to develop his artistic practice at the University of Minnesota, before studying and later exhibiting at Columbia University in New York.

Sida’s early work mainly focuses on themes pertaining to Egyptian country life and Cairene city life, painted in a naïve style with thick impasto. Following his exposure to the American art scene throughout the 1950s and 1960s, he was inspired by the American Pop Art movement. Upon his return to Egypt in the 1960s, he further developed his oeuvre to “Arabize” pop art.  Sida began experimenting with Arabic calligraphy, which we see demonstrated in the present work. Using a two-dimensional format, and incorporating the aesthetic influences of Pop, Sida’s ‘Pop Calligraphy’ cast the artist as an avant-garde figure in the artistic landscape of Egypt in the 1960s.