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Details & Cataloguing

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Tamara de Lempicka
1898 - 1980
POLISH
INDIEN À TURBAN (INDIAN WITH A TURBAN)
signed Lempicka 
oil on canvas 
55.3 by 38.5cm.; 21¾ by 15⅛in.
Executed circa 1939.
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Provenance

Private Collection, United States (acquired before 1990)
Thence by Descent 
Sale: Sotheby's, London, Impressionist and Modern Art; Day Sale, 24 June 2014, lot 295
Acquired directly from the above by the present owner in 2014

Exhibited

Paris, Pinacothèque de Paris, Tamara de Lempicka, la Reine de l''Art déco, 2013, no. 93, illustrated in colour

Literature

Marc Vaux, Fonds Lempicka, Paris, 1972, n.p.
Alain Blondel, Lempicka, Catalogue raisonné1921-1979, Lausanne, 1999, no. B215, p. 303, illustrated 

Catalogue Note

Lempicka’s oeuvre blends a great variety of styles and influences—figuration and abstraction, Renaissance portraiture and Hollywood glamour—with an extraordinary effect. She was inspired by a diverse set of artistic influences, from the geometric aesthetic of Cubism to the razor-sharp draughtsmanship of Neue Sachlichkeit, however, it was her love for the Italian Renaissance which had the most profound effect in developing her unique artistic style. As Magdeleine Dayot wrote, the paintings are a “curious blend of extreme modernism and classical purity that attracts and surprises, and provokes, perhaps even before conquering completely, a sort of cerebral struggle where these very different tendencies fight with each other until the moment the gaze grasps the great harmony that reigns in these opposites” (quoted in Gioia Mori, Tamara de Lempicka: The Queen of Modern, Milan, 2011, p. 21).

The sitter in the present work is set against a sky-blue background with a white turban wrapped around his head, wearing a traditional gold-trimmed robe. The face is distinguished by stark chiaroscuro, which delineates the angularity in the protagonist’s features with bold contours. This kind of stylistic geometry reflects the artist’s progressive attitude towards form and portraiture. Indien à Turban is a rare and insightful work which belongs to Lempicka’s series of portraits with a strong art-deco influence. With its exceptional technical quality, the smooth and brilliant rendering of the colours, the painting is an elegant development of the artist’s take on Cubism where the shapes and composition are carefully measured in a pleasing and harmonious balance. As noted by the artist’s daughter, ‘What she painted had a smooth polish, an icy perfection that detached her subjects from reality, that made them archetypal… Beneath the paintings’ satin and porcelain surfaces, beneath the icing, passion smouldered, hinted at by the fullness of her volumes, by the violent outbursts of reds, blues, greens’ (quoted in Baroness Kizette de Lempicka-Foxhall, Passion by Design, The Art and Times of Tamara de Lempicka, New York, 1987, p. 84).

Boundless: Dubai

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Dubai