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A Louis XV mythological literary tapestry, Paris, Gobelins manufactory, from the ‘Story of Armida’ from the series Fragments d'Opera inspired by scenes from operas by Jean-Baptiste Lully, after a design by Charles Antoine Coypel  third quarter 18th century
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177
A Louis XV mythological literary tapestry, Paris, Gobelins manufactory, from the ‘Story of Armida’ from the series Fragments d'Opera inspired by scenes from operas by Jean-Baptiste Lully, after a design by Charles Antoine Coypel  third quarter 18th century
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Details & Cataloguing

The Ballyedmond Collection

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London

A Louis XV mythological literary tapestry, Paris, Gobelins manufactory, from the ‘Story of Armida’ from the series Fragments d'Opera inspired by scenes from operas by Jean-Baptiste Lully, after a design by Charles Antoine Coypel  third quarter 18th century
finely woven depicting Armida swooning at Renaud's departure, in a landscape setting with the figures in the foreground with elaborate colonnaded building in the background; signed C. Coypel lower left corner of design, now lacking borders, with later double banded selvedges
approximately 272cm. high, 331cm. wide; 8ft. 11in., 10ft. 10in.
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Provenance

Most probably commissioned by the banker, Nicolas Beaujon, from the Gobelins manufactory in 1767
Probably Ville de Paris in 1900
Anonymous sale, Sotheby’s London, 25 March 1960, lot 91
Mayorcas Collection, Christie's, London 12 February 1999, lot 82

Catalogue Note

This tapestry belongs to a series entitled Fragments d’Opéra, based on operas ‘Roland’ (1685) and ‘Armida’ (1686) by Jean-Baptiste Lully (1632-1687), the tapestry cartoons were designed by Charles-Antoine Coypel, between 1733 and 1741. The story of Rinaldo and Armida forms part of the epic poem Jerusalem Delivered by Torquato Tasso (1544-1595), first published in 1581. The border type found on other sets in the series, was designed by Pierre-Josse Perrot, and was a golden frame pattern design. There were seven editions woven at the Gobelins manufactory, the scenes depicted were Roland’s despair at Angelica’s wedding, Armida swooning at Renaud’s departure, Armida destroying her enchanted palace, Renaud asleep and frustrating Armida’s plan to kill him. The first series was commissioned by the dukes of Deux-Pont, woven in the workshop of Michel Audran (1743 & 1745) and the second series from which the present tapestry belongs, was one of four, commissioned from the Gobelins manufactory by the banker Nicolas Beaujon in 1767, also woven at the Gobelins in the workshop of Monmerqué and Pierre-François Cozette. The others from the second series are no longer together; Roland, signed and dated, Cozette, 1765/6, was recorded at the Chevalier Galerie, Paris, and Destruction, signed and dated, Cozette, 1765/6, was sold in the Collection Seligmann, 9-12 March 1914, lot 347, and more recently at Sotheby's, Paris, 28 November 2016, lot 146, and Le Sommeil, in the Villa Ephrussi de Rothschild de Saint-Jean-Cap-Ferrat.

The only complete set is the four tapestries from the first series, without borders is kept in the Residenz, Munich.

Jean Vittet, Les Gobelins au siècle des Lumières: Un âge d'or de la manufacture royale, 2014, pp.127-129. 

For comprehensive discussion of the series, see Ebeltje Hartkamp-Jonxis and Hillie Smith, European Tapestries in the Rijksmuseum, Amsterdam, 2004, pp.355-361.

The Ballyedmond Collection

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London