Lot 84
  • 84

A portrait of the royal stallion Laldan Bebeha, attributable to Bhavanidas, India, Rajasthan, Kishangarh, circa 1730-35

Estimate
15,000 - 20,000 GBP
bidding is closed

Description

  • THE STALLION LALDAN BEBAHAATTRIBUTED TO BHAVANIDAS
  • Opaque watercolor heightened with gold on paper
  • image: 9 by 9 1/2 in. (22.8 by 24.1 cm)
gouache with gold on paper, inscribed above in Devanagari 'Laldan Bebha'

Condition

Generally in good condition. Two slight tears to paper at the lower middle and lower right edges of the image have been repaired, both visible in catalogue illustration. Two small stains adjacent to horse's hooves on lower left are also visible in the catalogue illustration. Wear to the edge of the paper due to age and a light diagonal crease running from upper left to middle right corners also seen in catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This elegant painting, displaying the exquisite attenuation characteristic of the Kishangarh style in the second quarter of the eighteenth century, is a second version of a portrait depicting the prized royal horse Laldan Bebeha from the royal Kishangarh stables. The other version, formerly in the Sven Gahlin Collection and sold in these rooms, 6 October, 2015, lot 54, had been attributed to the leading Kishangarh artist Bhanavidas. The only difference in the composition between the two is that the incense burner held by the grey-bearded groom is closed here, whereas it is open in the Gahlin version.

The artist Bhavanidas (circa 1680-1748) was active in the Mughal court circa 1700-19, thereafter moving to Kishangarh in Rajasthan, to become its leading artist under the patronage of Maharaja Raj Singh (r.1706-48), importantly contributing to the development of the highly distinctive Kishangarh style, within which there developed a specific genre of horse portraiture of the Raja's favorite royal horses with their grooms, as in our present drawing. 

For further discussion and references see Falk, 'The Kishangarh Artist Bhavanidas', Artibus Asiae, LII, 1/2. 1992, notice 1; N. Haidar 'Bhavanidas' (essay)  in M.C. Beach, E. Fischer, B. N. Goswamy, Masters of Indian Painting 1650-1900Artibus Asiae Sup 48 I/II, 2011, p.531-546, p.544, figs.12 and 13; Sotheby's  London, 6 October, 2015, Lot 54; Sotheby's London, 9 October, 1978, Lot 262 and Sotheby's London, 12 October 1990, Lot 55.