Lot 75
  • 75

The mystic and poet Kabir with attendants, India, Mughal, early 18th century

Estimate
10,000 - 15,000 GBP
bidding is closed

Description

  • gouache on paper 
gouache on paper heightened with gold, inscription to lower edge, framed

Provenance

Formerly in the collection of the artist Einar Jolin (1890-1976) Stockholm.
Inscription on the backboard 'Acquired from Trägård in Gothenburg by Einar Jolin 1947'.

Condition

Areas of foxing to paper and mottling to surface, some loss and creasing to extremities, small area of loss and repainting near to poet's chin, as viewed
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Kabir was a fifteenth-century mystic saint and poet who is revered by both Hindu and Sikh followers. His teachings and poetry greatly influenced the Bhakti movement and his verses are found in the Sikh manuscript of Adi Granth. Born into a Muslim family of weavers, he later followed the teachings of the fourteenth-century Vaishnava devotional poet and Bhakti leader Ramananda. Kabir is believed to have lived in Benares in an area later named Kabir Chaura. In 1915 Rabindranath Tagore compiled and translated One Hundred Poems of Kabir, that remains a source of reference for the Bhakti movement. It is believed that Kabir died in 1518, at Maghar, where there was a dispute between Hindus who wanted to burn his corpse and Muslims who wished to bury him. However when the sheet covering Kabir's body was lifted it revealed a mound of flowers (Muraqqa 1996, p.63).

Other depictions of Kabir often show him surrounded by musicians or weaving, a reference to his upbringing. A Mughal painting in the St Petersburg Muraqqa', dated late seventeenth century to early eighteenth century, depicts Kabir the mystical weaver with a disciple and young visitors (ibid., Pl.40).