Lot 145
  • 145

A Kashan pottery bottle vase with spouted neck, Persia, 13th century

Estimate
15,000 - 20,000 GBP
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Description

  • probably stonepaste
the fritware body of globular form, tall thin neck and splayed mouth, decorated with three paired cobalt blue trails under a transparent glaze

Provenance

Ex-collection Harvey B. Plotnick.
Sotheby's London, 3 October 2012, lot 148.

Condition

Intact, the glaze with craquelure throughout and iridescence, some minor encrustation noticeable within spout, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The use of fritware in Persia from the twelfth century onwards equipped craftsmen with the means to create finer ceramic wares without the need for an opaque white glaze (Pancaroğlu 2007, p.90). The cobalt blue trails form a striking, almost luminous, detail under the transparent glaze on this ewer, establishing a cohesive design across its body.  Yet it is a notably more minimalist design when compared to later wares. According to Pancaroğlu, similar dashes found on ceramics “may have been intended as an apotropaic ‘imperfection’ to protect the alluring, yet delicate, vessel from the harms of the “evil eye”” (Pancaroğlu 2007, pp.90-91, no.48). A vase with a similar paired stripe design is currently in the Arthur M. Sackler Gallery, Washington D.C. (inv.no.S1997.116).