- 127
Serge Poliakoff
Estimate
160,000 - 200,000 EUR
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Description
- Serge Poliakoff
- Composition abstraite
- signed
- oil on canvas
- 89 x 116 cm; 35 x 45 11/16 in.
- Executed in 1968.
Provenance
Galerie Française, Munich
Private Colleciton, Germany
Private Colleciton, Germany
Exhibited
Venice, Naviglio Venezia, Serge Poliakoff, August - September 1969; catalogue, no. 18, n.p.
Paris, Galerie de France, Serge Poliakoff, 26 June - 6 October 1973; catalogue, p. 24, illustrated in colour
Montpellier, Musée Fabre, Serge Poliakoff, 23 July - 15 October 1974; catalogue, no. 53, n.p.
La-Chaux-de-Fonds, Musée des Beaux-Arts; Charleroi, Palais des Beaux-Arts, Serge Poliakoff, 22 February - 2 November 1975; catalogue, no. 48, n.p., illustrated in colour
Basel, Galerie Melki, Poliakoff, 29 May - 15 July 1975; catalogue, no. 71, p. 85, illustrated in colour
Hovikodden, Sonja Henie-Onstad Kunstsenter, Poliakoff, 5 February - 14 March 1976; catalogue, no. 77, n.p., illustrated in colour
Vallauris, Musée Municipal, Serge Poliakoff, 24 June - 2 October 1978; catalogue, no. 35, n.p., illustrated
Sochaux, Maison des Arts et Loisirs, Serge Poliakoff, 7 April - 13 May 1979
Montauban, Musée Ingres, Serge Poliakoff, 26 April - 26 May; catalogue, no. 15, n.p., illustrated
Tokyo, The Seibu Museum of Art; Amagasaki, Tsukashin Hall, Serge Poliakoff, 26 August - 8 November 1988; catalogue, no. 64, p. 83, illustrated in colour
Paris, Galerie Melki, Serge Poliakoff, 12 November 1991 - 8 January 1992; catalogue, no. 49, p. 121, illustrated in colour
Emden, Kunsthalle; Munich, Kunsthalle der Hypo-Kulturstiftung, Serge Poliakoff - Retrospektive, 3 February - 8 July 2007; catalogue, no. 91, p. 181, illustrated in colour
Paris, Galerie de France, Serge Poliakoff, 26 June - 6 October 1973; catalogue, p. 24, illustrated in colour
Montpellier, Musée Fabre, Serge Poliakoff, 23 July - 15 October 1974; catalogue, no. 53, n.p.
La-Chaux-de-Fonds, Musée des Beaux-Arts; Charleroi, Palais des Beaux-Arts, Serge Poliakoff, 22 February - 2 November 1975; catalogue, no. 48, n.p., illustrated in colour
Basel, Galerie Melki, Poliakoff, 29 May - 15 July 1975; catalogue, no. 71, p. 85, illustrated in colour
Hovikodden, Sonja Henie-Onstad Kunstsenter, Poliakoff, 5 February - 14 March 1976; catalogue, no. 77, n.p., illustrated in colour
Vallauris, Musée Municipal, Serge Poliakoff, 24 June - 2 October 1978; catalogue, no. 35, n.p., illustrated
Sochaux, Maison des Arts et Loisirs, Serge Poliakoff, 7 April - 13 May 1979
Montauban, Musée Ingres, Serge Poliakoff, 26 April - 26 May; catalogue, no. 15, n.p., illustrated
Tokyo, The Seibu Museum of Art; Amagasaki, Tsukashin Hall, Serge Poliakoff, 26 August - 8 November 1988; catalogue, no. 64, p. 83, illustrated in colour
Paris, Galerie Melki, Serge Poliakoff, 12 November 1991 - 8 January 1992; catalogue, no. 49, p. 121, illustrated in colour
Emden, Kunsthalle; Munich, Kunsthalle der Hypo-Kulturstiftung, Serge Poliakoff - Retrospektive, 3 February - 8 July 2007; catalogue, no. 91, p. 181, illustrated in colour
Literature
XXè Siècle, 1968, no. 31, n.p., illustrated
Gilles Neret, 30 ans d'Art Moderne, Paris, 1988, no. 93, p. 73, illustrated in colour
Weltkunst, January 2000, p. 105, illustrated
Cat. Exh., Serge Poliakoff rétrospective, Beaux-Arts Mons, 2008, no. 95, p. 181, illustrated in colour
Alexis Poliakoff, Serge Poliakoff, Catalogue Raisonné, Volume V, 1966-1969, Paris, 2016, no. 68-11, p. 270, illustrated in colour
Gilles Neret, 30 ans d'Art Moderne, Paris, 1988, no. 93, p. 73, illustrated in colour
Weltkunst, January 2000, p. 105, illustrated
Cat. Exh., Serge Poliakoff rétrospective, Beaux-Arts Mons, 2008, no. 95, p. 181, illustrated in colour
Alexis Poliakoff, Serge Poliakoff, Catalogue Raisonné, Volume V, 1966-1969, Paris, 2016, no. 68-11, p. 270, illustrated in colour
Condition
The colours are fairly accurate in the catalogue illustration.
The work is executed on its original canvas and is not relined.
The surface is grainy, and there are some faint minor wear marks, few of which have resulted in pinhole sized paint losses.
Under Ultra Violet light inspection, few small areas of restoration fluoresce along lower edge and upper right corner.
This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."