His canvases such as Dama a caballo and Retrato de una Dama are the result of a veritable wrestling match with one of his favorite materials, hessian canvas, which he folds, sews, daubs with bitumen and pigments, overloading it with oil until it bears the marks of his demiurgic fight.
His sculptures are cast in a range of materials such as bronze, silver, wood, plaster, alabaster or ceramic. They also invite transgression by inciting touch through their generous and sensual forms.
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