- 10
Albert Eugene Gallatin
Estimate
30,000 - 50,000 USD
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Description
- Albert Eugene Gallatin
- No. 125
- signed a.e. Gallatin and dated 1938/Dec. 1949 on the reverse
- oil on canvas
- 20 by 30 1/4 inches
- (50.8 by 76.8 cm)
Provenance
Estate of the artist
Zabriskie Gallery, New York
Ahmet Ertegun, New York
Hirschl & Adler Galleries, New York, by 1988
Bryce Bannatyne Gallery, Venice, California
Martha Parrish & James Reinish, New York
Gary Snyder Fine Art, New York, 1998 (acquired from the above)
Acquired by the present owner from the above
Zabriskie Gallery, New York
Ahmet Ertegun, New York
Hirschl & Adler Galleries, New York, by 1988
Bryce Bannatyne Gallery, Venice, California
Martha Parrish & James Reinish, New York
Gary Snyder Fine Art, New York, 1998 (acquired from the above)
Acquired by the present owner from the above
Exhibited
Pittsfield, Massachusetts, Berkshire Museum, 1939
New York, Jacques Seligmann & Co., Recent Paintings by Gallatin, Morris, Shaw, 1939
Chicago, Illinois, The Arts Club of Chicago; San Francisco, California, San Franciso Museum of Art; Honolulu, Hawaii, Honolulu Academy of Arts; Seattle, Washington, Seattle Art Museum, Recent Paintings and Constructions by Gallatin, Morris, Shaw, 1940-1941, no. 6, 7 or 8 (as Composition)
New York, Hirschl & Adler Galleries, New York Cubists: Works by A.E. Gallatin, George L.K. Morris and Charles G. Shaw from the Thirties and Forties, January-February 1988, no. 8, p. 12
New York, Jacques Seligmann & Co., Recent Paintings by Gallatin, Morris, Shaw, 1939
Chicago, Illinois, The Arts Club of Chicago; San Francisco, California, San Franciso Museum of Art; Honolulu, Hawaii, Honolulu Academy of Arts; Seattle, Washington, Seattle Art Museum, Recent Paintings and Constructions by Gallatin, Morris, Shaw, 1940-1941, no. 6, 7 or 8 (as Composition)
New York, Hirschl & Adler Galleries, New York Cubists: Works by A.E. Gallatin, George L.K. Morris and Charles G. Shaw from the Thirties and Forties, January-February 1988, no. 8, p. 12
Condition
This work is in good condition. The canvas is unlined. There is a stretcher bar mark at the top edge. There is some craquelure, primarily in the background, and a few chips of loss in the background at upper center. There is some slight discoloration along the lower right edge and some spots of discolored inpainting at the upper right corner. Under UV: there are a few scattered spots and dots of inpainting in the background, primarily near the upper right corner.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.