- Nasser Assar
- signed N. Assar '79
- watercolour and ink on paper laid on canvas
- 104.5 by 76.2cm.; 41 3/8 by 30in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
A: In the adventure of the arts in the West, the function of landscapes had a varied development and took different directions before becoming an independent subject. It is certain that in my paintings, all elements represented, depict nature. But is the aim to represent a landscape, like Claude de Lorrain used to? Certainly not. At a certain period, people associated my painting to Caspar David Friedrich's ones. [...] It is very simple: I want to note, represent, basically paint in the simplest manner what i see - this means not only the appearance of things but what transpires immediately and its simplicity."
Nasser Assar quoted in an interview between Nasser Assar and Jerome Thelot in: Yves Bonnefoy, Philippe Jaccottet, Roger Munier, Jean-Paul Avice, Nasser Assar, Paris 2016, pp. 94 - 96.