Raoul François Larche

Overall the condition of the bronze is very good, with minor dirt and wear to the surface consistent with age. There are a few spots of greening in areas, notably the crevices. There are a few very slight nicks and scratches, including to the abdomen. There is minor pitting in areas, notably around the bottom near the signature. There is minor dark spotting in areas and a few original casting pins are slightly visible, including around the neck. The piece is wired for electricity with two light bulbs, a switch and a continental(?) plug with three pins. Sotheby's has not tested whether the electricity mounting functions.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Of American origin, Loie Fuller was a regular performer at the Folies Bergère in Paris and with choreographic creations such as Fire Dancer, Fuller became the embodiment of the Art Nouveau movement. Larche's exuberant sculptural representation of this iconic figure, as exemplified by the present Table Lamp, has itself become an icon of the Art Nouveau.

RELATED LITERATURE
Alastair Duncan, Art Nouveau and Art Déco Lighting, London, 1978, p. 112, no. 55