Rey, Etienne and Antoine-Marie Chenavard

FIRST EDITION, 2 volumes in one, folio (475 x 330mm.), half-titles, 3 engraved maps and plans and 52 lithographed plates on india paper and mounted, 42 lithographed illustrations in the text, errata leaf at end of each volume, nineteenth-century cloth-backed marbled boards, flat spine, a few gatherings becoming loose, spine slightly stained, extremities rubbed

Atabey 1037; Blackmer 1412; not in Weber

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This work, very similar in appearance to that of Chenavard published in Lyon in 1858, is Rey’s account of the voyage he made to Greece and Asia Minor during 1843-1844 with Chenavard. The plates include views in Athens, Constantinople, Ephesus, Smyrna, Cairo and Corfu. “Rey’s lithographs are more interesting than Chenavard’s engravings, because Chenavard’s architectural training led him to produce mostly architectural studies of ancient buildings. Rey’s painterly eye produced views of a lively nature reflecting modern life in Greece and the Greek capital” (Blackmer).