Lot 126
  • 126

Georgy Alexandrovich Echeistov

Estimate
4,000 - 6,000 GBP
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Description

  • Georgy Alexandrovich Echeistov
  • Workers in Central Asia 
  • inscribed on the reverse with an authentication by the artist's wife, Lidia Zholtkevich 
  • oil on card
  • 45.5 by 63cm, 18 by 24 3/4 in.
  • Executed in the late 1920s

Catalogue Note

A student of Vladimir Favorsky, Echeistov was one of the leading graphic artists of his generation and he was often put forward as an exponent of Soviet art during the 1920s and 1930s in both European and American exhibitions. The majority of his work is now in the Savitsky collection in the Nukus Museum of Art, Uzbekistan.

The Soviet art critic and dealer Victor Kholodkov (1948-2015) was particularly drawn to the graphic works and typographical experiments of the Russian avant-garde. He published a number of articles on the subject and contributed to exhibitions after his emigration from the Soviet Union in 1989, including the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. His extensive collection of papers and artwork relating to VKhUTEMAS was acquired by the Getty Museum in 1995 and his collection of Soviet music sheet covers is now in The Library of Congress.

The present selection of graphic works, oils and original film posters (lots 107-138) from the first half of the 20th century is characteristic of Kholodkov’s interests in the convergence of artistic, cultural and political concerns of the period. He is known to have purchased much of his collection directly from the artists or their families; others were acquired directly from Nikolai Khardzhiev, another well-known collector of the Russian avant-garde.