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A RARE JIAOTANXIA ‘GUAN’ WARE ‘LOTUS BUD’ WATERPOT SONG DYNASTY
Description
- stoneware
Provenance
Bluett & Sons Ltd, London, 1965 (£210).
Collection of Roger Pilkington (1928-69), from 1965 (£310).
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This vessel can be attributed to one of the guan (official) Hangzhou kilns that were established in the Southern Song capital to make ceramics for the court after the move of the Song imperial house to the south in 1127 had precluded access to products of the Northern manufactories, such as the Ru kilns of Baofeng in Henan. The Jiaotanxia (‘Below the Suburban Altar’) kilns, believed to have created vessels such as this for the court, have now tentatively been identified with kiln sites discovered at Wuguishan in the south of Hangzhou.
A number of similar waterpots is known from old Western collections, for example, one from the Ingram collection, included in the important exhibition Mostra d’Arte Cinese/Exhibition of Chinese Art, Palazzo Ducale, Venice, 1954, cat. no. 451; others illustrated in George J. Lee, Selected Far Eastern Art in the Yale University Art Gallery, New Haven and London, 1970, pl. 313; in Walter Hochstadter, ‘Early Chinese Ceramics in the Buffalo Museum of Science’, Hobbies, vol. 25, no. 5, New York, 1946, pl. 63; and in Mayuyama. Seventy Years, Tokyo, 1976, vol. 1, pl. 467; and three examples were sold in our London rooms, 12th December 1978, lot 179, from the Lindberg collection; 9th June 1992, lot 136; and 14th May 2008, lot 307, from the collection of Dr. Carl Kempe, illustrated in Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 134.
For two rare examples preserved with their tubular droppers see a piece from the collections of Mrs. Walter Sedgwick and later Colonel and Mrs. Carson, sold in our London rooms, 2nd July 1968, lot 109, and 7th June 1994, lot 298; and one from the Eli Lilly collection in the Indianapolis Museum of Art, included in the exhibition Beauty and Tranquility: The Eli Lilly Collection of Chinese Art, Indianapolis Museum of Art, Indianapolis, 1983, fig. 6.