- 106
Ormond Gigli
Estimate
10,000 - 15,000 USD
bidding is closed
Description
- Ormond Gigli
- Girls in the Windows, New York City
- gelatin silver print
signed and dated in pencil on the reverse, framed, 1960, probably printed between 1960 and 1965
Provenance
Scheinbaum & Russek Ltd., Santa Fe, 1997
Condition
This early print is in generally excellent condition. It is trimmed to the image and is on double-weight paper with a matte surface. There is a slight waviness overall. The upper corners are gently bumped.
The reverse is faintly soiled.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
On the day that Gigli made his iconic Girls in the Windows, he did not have much time. The three brownstones across the street from his townhouse were on the verge of being demolished, and he had just one hour to shoot. As a result, he was only able to make a few negatives, the most well-known of which is often presented in color. The early gelatin silver print offered here is from a variant exposure. The subtle differences are discernible upon careful examination in the women’s poses and gestures.