Ansel Adams

mounted, signed in pencil on the mount, the photographer's Carmel studio stamps (BMFA 7 and 8), with title in ink, on the reverse, 1941, probably printed between 1963 and 1970

Ansel Adams (Morgan & Morgan, 1972), pl. 63

James Alinder and John Szarkowski, Ansel Adams: Classic Images, (Boston, 1985), pl. 32

Andrea G. Stillman, ed., Ansel Adams: The Grand Canyon and the Southwest (Boston, 2000), frontispiece

John Szarkowski, Ansel Adams at 100 (San Francisco Museum of Modern Art, 2001), pl. 96

Ansel Adams, Examples: The Making of 40 Photographs (Boston, 2002), p. 40

Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection (Museum of Fine Arts, Boston, 2005), pl. 37

Andrea G. Stillman, Ansel Adams: 400 Photographs (Boston, 2007), p. 175

This print is in generally excellent condition. Scattered deposits of original retouching are visible in high raking light. There are 3 pieces of linen tape along the upper edge of the reverse. There is very minor, scattered soiling on the reverse of the mount. Karen Haas's and Rebecca Senf's book, 'Ansel Adams in the Lane Collection,' publishes the most comprehensive list to date of the studio stamps and labels Adams used throughout his career. Our dating of this print is based upon the authors' assessment of the use dates of stamps 7 and 8: 1963 through 1970.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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