Bernd & Hilla Becher

Typology of nine silver prints, printed c. 2012. Print number 1 is signed, titled and with the hanging instructions in pencil on a label mounted to the reverse of the print. Each print sequentially numbered from 1 to 9 in pencil on the reverse. Individually framed.

Bruce Silverstein Gallery, New York

These nine ferrotyped silver prints are in pristine condition. After a closer inspection, print 5 with the lower left corner slightly worn and print 6 with lower corners slightly worn.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Bernd and Hilla Becher began photographing industrial structures in the late 1950s. The Bechers' works focused on the idea of creating “families of motifs” that “became humanised and destroy one another” like in nature where the old is destroyed by the new.  It is this form that defined them as one of the most influential contemporary European photographers.

Their works focused on the monolithic yet ominous; as if they knew the world’s industrial mega-structures would cease to exist. Within a few years of completing this work, all the coal bunkers had been demolished. Yet, the Bechers' rigorous style and intricate detail of the steel gives the structures a lasting presence.