- 47
Robert Frank
Estimate
40,000 - 60,000 EUR
bidding is closed
Description
- Robert Frank
- 'Candy Store, Upper West Side', New York, 1955
- silver print
Tirage argentique de 1979. Signé et daté à l'encre dans la marge inférieure. Signé et daté sur le tampon 'copyright 1979' et avec le tampon 'Robert Frank Archive' au verso. Encadré.
Provenance
Galerie Michèle Chomette, Paris
Literature
Helen Gee, Photography of the Fifties: An American Perspective, Tucson, Center for Creative Photography, University of Arizona, 1980, ill. p. 158 ;
Jonathan Green, American Photography: A critical History, 1945 to the Present, New York, Harry N. Abrams, 1984, ill. p.90 ;
Robert Frank, Les Américains, Paris, Delpire, 1986, ill. p. 29 ;
Emma Dexter and Thomas Weski, Cruel and Tender : The Real in the Twentieth Century Photograph, cat. expo., Londres, Tate Gallery Publish., 2003, ill. p. 105 ;
Ian Penman, Robert Frank : Story Lines, cat. expo., Londres, Tate, 2004, frontispiece 4 ;
Michael Shelden, 'Melancholy and Menace', Telegraph Magazine, 3 May 2008, ill. p. 32. ;
Sarah Greenough, Looking In: Robert Frank's The Americans, Washington, D.C. : National Gallery of Art ; Göttingen : Steidl, 2009, ill. pp. 221 and 463, and Contact n°10.
Jonathan Green, American Photography: A critical History, 1945 to the Present, New York, Harry N. Abrams, 1984, ill. p.90 ;
Robert Frank, Les Américains, Paris, Delpire, 1986, ill. p. 29 ;
Emma Dexter and Thomas Weski, Cruel and Tender : The Real in the Twentieth Century Photograph, cat. expo., Londres, Tate Gallery Publish., 2003, ill. p. 105 ;
Ian Penman, Robert Frank : Story Lines, cat. expo., Londres, Tate, 2004, frontispiece 4 ;
Michael Shelden, 'Melancholy and Menace', Telegraph Magazine, 3 May 2008, ill. p. 32. ;
Sarah Greenough, Looking In: Robert Frank's The Americans, Washington, D.C. : National Gallery of Art ; Göttingen : Steidl, 2009, ill. pp. 221 and 463, and Contact n°10.