Lot 552
  • 552

Julian Trevelyan, R.A.

Estimate
3,000 - 5,000 GBP
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Description

  • Julian Trevelyan, R.A.
  • Boules
  • signed and dated 61
  • oil on canvas
  • 75 by 90.5cm.; 29½ by 35½in.

Exhibited

Henley-on-Thames, Bohun Gallery, Picture Language, 23rd April- 1st June 2013, un-numbered exhibition, illustrated p.6.

Condition

Original canvas. The canvas undulates very slightly in places, but otherwise appears sound. There is some scattered craquelure in places to the work, with some small associated flecks of loss, particularly to areas in the lower third of the work. There is some light surface dirt in places. Ultraviolet light reveals some areas of fluorescence, which are thought to be in keeping with the artist's materials. The work is float mounted and presented in a painted wooden frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

 

 ‘Julian constantly drew on the people and places that we visited and he set down whatever caught his eye. He had the ability to capture the essence of a place, and what he saw, thought and felt was immediately translated into prints and paintings which captured the every smell of the scenes that inspired him.’ (Mary Fedden, Private Correspondence, 1997)