Lot 104
  • 104

Jaspar van der Laanen

Estimate
15,000 - 20,000 GBP
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Description

  • Jaspar van der Laanen
  • An Arcadian landscape with courting shepherds and their flock
  • inscribed with inventory number lower left: 504
  • oil on panel
  • 19in by 24½in

Provenance

William John Kerr, 5th Marquess of Lothian (1737–1815), by at least 1788;
Thence by descent.

Literature

Newbattle Abbey inventory, c. 1788 ('Landscape, figures, on wood (Breughel)');
Newbattle Abbey inventory, March 1833, no. 504 (as 'J. Breughel (style)');
Newbattle Abbey inventory, May 1878, no. 504 (Front Stairs);
Monteviot House inventory, 14 July 1989, no. 504 (Morning Room).

Condition

The panel is uncradled, flat and stable. The paint surface is slightly dirty and the varnish is discoloured - the painting would benefit greatly from a light clean. There is a very small loss, lower right, at the base of the shepherd's red tunic (visible in the catalogue illustration). Inspection under ultraviolet light reveals a milky, opaque varnish, beneath which it is very difficult to discern any intervention, but the panel appears to be in untouched, excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Prof. Dr. Jan de Maere, to whom we are grateful, has also suggested an attribution to Ambrosius Francken II for the figures in this work.