Attributed to the workshop of Nicolo Roccatagliata (1593-1636) Italian, Venice, early 17th century

Overall the condition of the inkwell is good, with some dirt and wear to the surface consistent with age and use. There is some rubbing at the high points. There are a few small lacunae to the bronze, consistent with Venetian casting practice, notably on the lid. The putto and coat of arms on the lid are slightly loose in their settings but stable. There appears to be some lead fill to a section of the edge of the lid. The lead receptacle on the inside detaches. The Eagles that form the feet are in good condition with some wear, including some rubbing to the lacquer patina and dust in the crevices. There are a few losses to the feathers of the wings at the top. The marble base is in very good condition with some dirt where the bronzes are mounted and a few very minor chips along the edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

RELATED LITERATURE
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, pp. 597-628