After a model by Guillaume Coustou (1677-1746) French, first half 19th century

Private collection, London

Overall the condition of the bronze is good, with some wear and dirt to the surface consistent with age, including dust in the crevices. There is some rubbing to the lacquer patina at the high points. A few original stable casting joints are visible, including at both thighs, the proper right arm, and to the lion's snout at the back. An original bronze patching and plug are slightly visible at the proper right shoulder. There is a slightly irregular casting plug at the lion's snout. There are a few minor lacunae, notably to the drapery near Hercules' proper left leg. There is a small original stable casting fissure to the spine. There are a few light scratches to the patina, including to the proper left cheek, and there is some minor staining to the bronze in areas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

These impressive bronze groups represent two of the most celebrated French sculptures of the 18th century: Hercule sur le bücher by Guillaume Coustou (1677-1746)(the present lot) and Hercule enchaîné par l'Amour by Jean-Joseph Vinache (the succeeding lot). The first was Coustou's morceau de réception at the Académie royale in 1704, whilst the second was Vinache's morceau de réception in 1741. Both are now in the musée du Louvre (inv. nos. M.R. 1809 and M.R. 2114). The present casts are attractive bronze reductions with finely textured surfaces, and are likely to have been cast in the first decades of the 19th century.