William Callow R.W.S.

This watercolour has been well preserved. The colours are fresh and bright. There is a little discolouration to the sheet, below the boats, at the extreme left of the composition, this can only be seen on close inspection.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Venice, for William Callow, was a very special place. He first visited the ‘floating city’ in the summer of 1840, then returned six years later while on honeymoon and continued to travel there regularly until 1892, when he was in his 80^th year.

The present view is a fine example of his watercolour technique of the early 1860s. He stands on steps beside the Grand Canal, possibly at Palazzo Giustiniani, not far from the Piazza San Marco. Beyond the bustling crowd and gondoliers, Callow shows the Chiesa della Salute and the Punta della Dogana. In the far distance the Chiesa delle Zitelle is visible on the island of Giudecca.