After Raphael, a 17th century copy

The canvas has an old relining, the paint surface is dirty and the varnish has discoloured. It is in overall moderate condition. There is a hole, with losses around it (measuring approx. 1 by 3 cm.), in the centre of the canvas. There are losses around all margins, as well as scattered through the sky, below Christ'es left foot and to the left of his head. There is also a network of superficial scratches, centre left. Inspection under ultraviolet light reveals strengthening to the darks of the Madonna's cloak and hair, the Baptist's camel hair, and to the landscape, centre left and right. There are scattered retouchings throughout the landscape and sky, and some areas of repaint to losses just above Christ's arm (measuring approx. 2 by 3 cm.), in the sky above (approx. 1 by 2 cm.), and to a vertical scratch (3 cm. long) in the buildings, centre left. There is also fairly extensive retouching to losses in the Baptist's chest and lower part of his face, in Christ's right arm and neck, and in the Madonna's left sleeve.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A copy after Raphael's The Alba Madonna of circa 1510 in the National Gallery of Art, Washington (inv. no. 1937.1.24).