Lot 99
  • 99

Borghini, Raffaello

Estimate
1,000 - 1,500 GBP
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Description

  • Il riposo di Raffaello Borghini: in cui della pittura, e della scultura si favella, de' piu illustri pittori, e scultori, et delle piu famose opere loro si fa mentione... Florence: Giorgio Marescotti, 1584, full-page woodcut on *2 verso, full-page woodcut slightly shaved
  • Paper
GALLETTI, Enea. Universalis historia ab exordio mundi, usque ad invictissimi Hispaniarum Regis Quinti semper Augusti extremum diem. Florence: Giorgio Marescotti, 1583
PORTA, Francesco. La visione. Florence: Giorgio Marescotti, 1578 (1577), woodcut device below colophon

3 works in one volume, 8vo (159 x 105mm.), woodcut device on title-pages, woodcut initials, head- and tailpieces, contemporary limp vellum, spine lettered in manuscript, blue edges, remains of two pairs of alum-tawed ties, occasional light foxing

Literature

Censimento 16 CNCE 7120, 20231 & 28909

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This is the best-known work of Borghini, a dialogue set in a villa called "Il Riposo" near Florence.  It describes in great detail the works of art in Florentine houses and churches and the society of Florentine art collectors; hence it is an important source for late sixteeenth-century Florentine art.