Lot 215
  • 215

Gusti Agung Mangu Putra

Estimate
300,000 - 500,000 HKD
bidding is closed

Description

  • Gusti Agung Mangu Putra
  • Meilli
  • signed and dated 2008; signed, titled and dated 2008 on the reverse
  • acrylic and oil on canvas

Provenance

Sotheby's Hong Kong, October 4, 2010, Lot 71
Private Collection, Indonesia

Condition

The work is in good condition overall as viewed. No restoration has been detected under ultraviolet light inspection. Unframed, on a Stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Born in Bali, Gusti Agung Mangu Putra graduated from the Indonesian Art Institute (ISI) where he majored in Visual Communication Design. Known for both his abstract and representational works, Mangu Putra draws inspiration from the lush flora and fauna that populates his surroundings. He continues to demonstrate a great appreciation for external landscapes and, by extension, Mother Nature herself. His style can be characterized by bold forms, expressive lines and dreamlike compositions, qualities that are all evident in the present piece.

Meilli is Mangu Putra’s single biggest work, spanning an impressive four by two meters. While unusually large, its scale befits its subject: a mountain range in the Chinese province of Yunnan known as the Meili Snow Mountain, with several peaks held sacred to Tibetan Buddhists. Meilli features a muted color palette of blue, white, yellow, green and purple that creates an atmosphere of quiet serenity, punctuated by dripping streaks of red that inject a sense of dynamism to the otherwise imperturbable panorama. The work at hand is one that balances grandeur and simplicity in its straightforward depiction of form, arresting any viewer with its immersive beauty.