Lot 436
  • 436

Lee Man Fong

Estimate
480,000 - 680,000 HKD
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Description

  • Lee Man Fong
  • Balinese Maidens
  • Signed and stamped with a seal of the artist
  • Oil on Masonite board

Provenance

Private Collection, Singapore

Condition

This work is in good overall condition as viewed. There is evidence of light wear along the edges and corners of the work due to abrasions with the frame, but this does not affect the overall image. Examination under ultraviolet light reveals some small spots of restoration at the floor and flowers on the left side of the work. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

It is always an interesting thing when an artist seeks out a foreign culture and desires to reformulate it within their paintings. Lee Man Fong’s body of works was largely inspired by the time he spent in Bali. The artist was fascinated by the island culture and traditions of the local villagers, for they were vastly different from his own Chinese heritage. Women were a favorite subject matter in his oeuvre. The artist often depicted them in archetypal roles, such as the mother, young maiden, or weaver.

The painting Balinese Maidens perfectly conveys the themes that frequented the artist’s works. Lee Man Fong often depicted woman alone and absorbed in their own private activities, be it weaving or combing their hair. Balinese Maidens therefore is a gentle divorce from such motifs by having two figures share the composition with their sisterly comradery.

As an anthropological study of the archipelago, the present piece provides insight into the daily routines and traditions of the Balinese people. Lee Man Fong has subsequently recreated the island existence from his viewpoint as a Chinese painter, for the composition is reminiscent of classical Chinese paintings that adhered to the Shan shui (mountain-water) philosophy. The two women allude to the Heart component of this teaching, for they are the focal point of the painting. It is their interaction that draws in the audience and has them wanting to learn more about the women’s relationship with each other.

Balinese Maidens is a special piece from the artist’s oeuvre, for Lee Man Fong has created a painting that demonstrates his respect and admiration for culture that was not his own. Therefore the painting may be seen as the artist’s homage of a place that continued to mesmerize him throughout his lifetime.