Roman School, mid-18th century

The catalogue illustration is quite representative of the painting. The support is made up of a single thick copper plate, mounted onto a wooden stretcher. The painting has been cleaned and restored relatively recently, and the varnish is clear and even. Inspection under ultra-violet reveals some retouchings in the background and peripheral areas; a repaired vertical damage, measuring approx. 6cm., just to the right of the saint's ear; a larger repaired damage, running horizontally from just below the saint's mouth, through the quill he holds, and across to the left side. The more concentrated areas of restoration occur in the background centre left and upper right. All restoration has been sensitively carried out and is not visible to the naked eye. Much of the figure of the saint is beautifully preserved, particularly his face and beard. Despite the aforementioned areas of retouching, the painting appears in good condition overall, with little or no sign of wear. The Salvator Rosa style frame with carved gilt mouldings and twisted ribbon along the inner sight is in good condition, with only minor knocks.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."