After Michele Marieschi

The canvas has been relined and is slightly buckled at upper center. The surface is under a yellowed varnish. Overall the painting is nicely preserved; it reads well and presents a large, impressive and very decorative image. There are some old discolored restorations that can be seen with the naked eye in the upper sky, on two repaired tears in clouds at center, and another area on buildings at left side and down into the water. Some minor scuffing at the edges. Examination under UV light reveals retouching to areas as mentioned. There is some other retouching in clouds at upper left corner, on the architecture at left, and at the lower corners. The Salute, figures and quay at right side look good. This painting could certainly be hung in its present state, however re-addressing of some of the old and now discolored retouches would improve the overall appearance. Offered in a carved and gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This composition repeats Marieschi's original in the Musée du Louvre  (inv. 162). The canvas is of the same size as the large Louvre prototype, which was long regarded as by Canaletto. Its popularity is apparent given the numerous extant copies of varying sizes.