Circle of John Constable, R.A.

In the Bobst Collection by 1969.

The canvas has been relined. The paint surface is under a dirty, uneven and yellowed varnish. Overall the paint surface has been very well preserved. Some of the thicker impastos appear to have been slightly pressed in the relining, but detail throughout remains very good. Under UV light: nothing can be seen through the dirty old varnish. To the naked eye, it appears that there could be some reworking to the sky at upper left and in areas of the clouds. This painting has not been restored in a long time and would benefit from a light cleaning and fresh varnish. Offered in an elaborately carved and gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The composition is loosely based on Constable's View on the Stour near Dedham of 1822, in the Huntington Library, Art Collection, San Marino, CA.  An attribution to Frederick W. Watts (1800-1870), whose style was strongly influenced by Constable's work, has been suggested for this painting.  He was an exhibitor at the Royal Academy from 1821-1860 and at the British Institution from 1823-1862.