François-Marius Granet

Laid down on card which has in turn been hinge mounted. The paper has very slightly discolored and there are some old creases to the sheet as a result of the way in which it has been laid down. The medium is predominantly fresh throughout. Sold in a giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Granet's main subjects were 'interieurs' and 'ruines'; his interiors of monasteries, cloisters and catacombs, with their strong contrasts of light and shadows, proved particularly popular, and helped to establish his reputation.  Aside from his landscapes and interiors he also executed a number of historical works, the present watercolour being a notable example. 

The drawing illustrates an episode in the life of Charles V (1500-1558), Holy Roman Emperor from 1519 to 1556.  Charles V, also known as Charles I of Spain was the last emperor to aspire to the medieval ideal of universal empire.  He spent several decades fighting against his rival, the King of France.  After an abortive last campaign against France, Charles prepared for his abdication, renouncing, in 1555 and 1556, his claims to the Netherlands and Spain.  In early February 1556 he moved to the monastery of Yuste, which he had long before selected as his final refuge.  He died there eighteen months later.

Granet's standing in the artistic community is reflected by the fact that in 1809 Ingres painted a major portrait of him (Aix-en-Provence, Musée Granet), and also made two separate portrait drawings, in 1809 and 1812.