Lot 138
  • 138

Euan Uglow

Estimate
12,000 - 18,000 GBP
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Description

  • Euan Uglow
  • Seated Nude
  • oil on board
  • 30 by 20.5cm.; 12 by 8in.
  • Executed circa 1950.

Provenance

Craigie Aitchison
His sale, Bloomsbury Auctions, London, 26th January 2012, lot 98, where acquired by the present owner

Condition

The board appears sound, and is fixed into the mount of the frame. There is rounding to the corners, with some slight separation between the layers of the board, and a few areas of the edges of the board, in keeping with the nature of the artist's materials, with some associated loss. There is a pin hole to the lower part of the left hand edge. There are signs of minor surface dirt and studio detritus visible, but this excepting the work appears in very good overall condition. Ultraviolet light reveals a small spot of fluorescence and probable retouching to the lower left hand edge, together with further areas which appear in keeping with the nature of the artist's materials and do not suggest retouching. Housed in a thick white wooden frame, float-mounted against a white backing. Please contact the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

‘I’m painting an idea not an ideal … I’m trying to paint a structured painting full of controlled, and therefore potent, emotion.’

(Euan Uglow, quoted in Andrew Lambirth, RA Summer Magazine, 1989, p.12)