Frank Auerbach

Given by the Artist to JYM over a thirty year period and thence by descent to the present owner

The envelopes all appear sound. The edges of the envelopes are slightly worn, and slightly uneven along the upper horizontal edge in places, with one or two small tears. The lower right corner of 'the Cricket Match' is slightly stained, and there are traces of very light surface dirt across the works. Subject to the above, the works appear to be in good overall condition. Unframed. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Auerbach first met Joan Yardley Mills (JYM) at Sidcup College of Art in 1957.  She was an artist herself and became Auerbach’s personal model for over thirty years.  During this time JYM would pose for Auerbach every Wednesday and Sunday without fail, sitting for him for up to five hours at a time.  This practice continued until 1997 when JYM was in her 80^th year.

The present body of works which Auerbach sketched on the front of envelopes he sent to JYM are testament to the close relationship that developed between the artist and model during their thirty years working together.  Many were given toJYM to commemorate special occasions: birthdays and Christmasses, or when a big cricket match was taking place in London.  As well as representing the personal relationship between Auerbach and JYM, the sketches also show the artist’s work in a spontaneous, humorous light.  They are lively and personal, symbolic of the close relationship between an artist and the model who had spent thousands of hours posing in difficult conditions for him in his studio.

JYM describes her time with Auerbach after she had retired from modelling for him.  “We had a wonderful relationship because I thought the world of him and he was very fond of me.  There was no sort of romance but we were very close.  Real friends.  Sundays now I’m always miserable.” (Catherine Lampert, Norman Rosenthal and Ian Carlisle, Frank Auerbach: Paintings and Drawings 1954-2001, Royal Academy, London, 2001, pp.26-27).