Lot 174
  • 174

Carlos Cruz-Diez (b. 1923)

Estimate
80,000 - 120,000 USD
bidding is closed

Description

  • Carlos Cruz-Diez
  • Transchromie Méchanique Aléatoire Cylindrique 
  • inscribed with artist signature; also dated Paris 1965/2009 and numbered 2/8
  • plexiglas and motor
  • 46 1/4 by 16 1/2 by 16 1/2 in.
  • 118 by 42 by 42 cm

Provenance

Acquired from the artist
Private Collection, New York

Literature

Mari-Carmen Ramírez, et al., Carlos Cruz-Diez: Color in Space and Time, Houston, 2011, fig. 10, p. 329, another edition illustrated in color 

Condition

This work is in very good condition. A few faint surface scratches are present on the Plexiglas elements. All of the Plexiglas elements and motor parts are present, securely attached, and fully functional.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Color is not simply the color of things surrounding us, nor is it the color of form. It is an evolving situation, a reality affecting human beings with the same intensity as cold, heat, sound, and so on.

It is a raw perception that, due to our cultural tradition, we are incapable of separating from either artistic color or its esoteric or anecdotal traits.

We should add that, under normal circumstances, color is perceptible in relation to what surrounds it; in an interaction, as Albers so clearly expressed it.

The goal of all my production and plastic exploration has been to separate color from this context and try to display it as an evolving autonomous reality.

Carlos Cruz-Diez, Paris, 1975