Fulvio Bianconi

Acquired by the present owner in 1991

Venini Catalogo Rosso, model no. 4911
Anna Venini Diaz de Santillana, Venini: Catalogue Raisonné 1921-1986, Milan, 2000, p. 218, no. 164
Franco Deboni, Venini Glass: Catalogue 1921-2007, Turin, 2007, pl. 185

Overall in very good original condition. When viewed in person, the vase presents with strong colors and a mosaic of vivid orange, pale green and blues, clear glass and intense black and white, as shown in the catalogue illustration. The glass with some small air bubbles, particulate inclusions and surface irregularities inherent in the making and not visually distracting. The surfaces with shallow surface scratches consistent with age and gentle handling. A great example of the model.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Pezzato Arlecchino was the first Pezzato application Fulvio Bianconi presented. The technique was exhibited at the XXVa Biennale of Venice in 1950. Arlecchino differed from successive Pezzato applications which were presented at the IX Triennale of Milan in 1951 due to its use of a colorless blown form with pieces of flattened opaque opal canes covered with a transparent colored layer.
– Marc Heiremans