Lot 32
  • 32

A rock crystal cup and cover in the form of Abbot Suger's eagle, Austro-Hungarian, late 19th century

Estimate
2,500 - 3,500 GBP
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Description

  • A rock crystal cup and cover in the form of Abbot Suger's eagle, Austro-Hungarian, late 19th century
  • rock crystal, silver-gilt
  • 17cm., 6 3/4 in. high
with red and white enamelled gold mounts,

Condition

some minor chips to right wing and base, one chip to neck of eagle, mounts of body probably re-fitted, black flaw to body. Otherwise good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Abbott Suger (c. 1081-1151) was a French abbot, statesman, historian and one of the earliest patrons of Gothic architecture. He was abbot of Saint-Denis and adviser to Louis VI and Louis VII and took a particular interest in adding to the treasure held by his abbey.
In his De administratione, Suger recorded that he had found a porphyry vase, dating from Ancient Egypt or Imperial Rome, and adapted it for use as a liturgical vessel in the abbey of Saint-Denis. ‘And further we adapted for the service of the altar, with the aid of gold and silver material, a porphyry vase, made admirably by the hand of the sculptor and polisher, after it had lain idly in a chest for many years, converting it from a flagon into the shape of an eagle; and we had the following verses inscribed on this vase: “This stone deserves to be enclosed in gems and gold. It was marble, but in these [settings] it is more precious than marble.’ [Panofsky, E., ed. and trans. (1979). Abbot Suger on the Abbey Church of Saint-Denis and Its Art Treasures, 2nd edn. Princeton., quoted in Belozerskaya, M. (2005), Luxury Arts of the Renaissance, J. Paul Getty Museum, Los Angeles.]. It has been suggested that he chose the eagle form because the eagle is a symbol of Christ. The porphyry vase is one of the treasures of Saint-Denis now held at the Louvre. It is said that the eagle’s popularity prevented its destruction during the French Revolution. [Stratford, Neil (1991). "Le Trésor de St-Denis: Paris, Louvre". The Burlington Magazine 133 (1058): 337–39].