A pair of Louis XVI gilt and patinated bronze lamps after the model by Louis-Simon Boizot, late 18th century

each lamp surmounted by a seated female figure, with a flambé cast candle nozzle; formerly drilled for electricity

These elegant lamps are in reasonable condition, having been previously electrified. The backs of the bases and the end of the lamp have therefore been drilled. This is now hidden by flamed nozzles which should be later. The patina is worn and scratched in places. Visible joint to one arm that has been reattached.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This figure is based upon the model made by Simon-Louis Boizot (1743 - 1809) for the Sèvres porcelain factory to be produced in biscuit. It was a successful and much repeated model which was used in a variety of ways. An identical example in a private German collection, is illustrated, Ottomeyer, Pröschel et al, Vergoldete Bronzen, Munich, 1986, Vol. I, p. 294, fig. 4.17.1. A drawing attributed to Pierre-Philippe Thomire in the musée des Arts décoratifs in Paris shows, on the right hand side of the chimneypiece, a model very close to this design (see J. Bourne and V. Brett, Lighting , Paris, 1992, p. 156, fig. 530). Also two sketches which are published in an article by P. Roseberg and B. Perronnet, 'un album inédit de David', Revue de l'Art no. 142, reflect the popularity and success of this particular model. After Thomire succeeded Duplessis at the manufacture de Sèvres in 1783, he began collaborating with Boizot, executing ormolu mounts to decorate pieces of porcelain.