Léon-Jean-Basile Perrault

Gesner Fine Art
Acquired from the above in 1985

The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This painting has a lining applied with a non-wax adhesive. Under ultraviolet light, it can be seen that some separation cracking has been retouched in the dark colors around the head of the figure, as have some similar cracks beneath the elbow and hand on the left. There are also cracks in the darker colors in the dress in the lower right and around the feet in the lower center. These cracks are natural and to be expected. They should not be considered a condition problem. There is no abrasion or structural damage. If the work were properly cleaned and accurately restored, it would be seen to be in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Growing up in a poor home, Léon Perrault saw his artistic talent as a means to escape destitution and to give his family a better life.  Soon outgrowing the drawing lessons available in his native village of Poitiers, the young artist was given a pension for travel to Paris, and in 1853 entered the home and studio of François Edouard Picot. Perrault would go on to study at the Académie des Beaux Arts and the Académie Julian, where he would meet his friend and mentor William Bouguereau. While Perrault's early career is highlighted by works featuring traditional allegorical, religious and military subjects, many of his most memorable compositions follow Bouguereau's artistic example, as made evident by the present work. Here, Perrault is not only showing his ability to render the child’s gentle expression, but also demonstrates that he is a brilliant colorist and observant botanist.

Léon Perrault enjoyed enormous success during his lifetime, exhibiting at the Salon regularly and earning medals in 1864, 1876, and 1878 as well as being named Chevalier de la Legion d’Honneur in 1887.