Lot 94
  • 94

Coleridge, Samuel Taylor

Estimate
8,000 - 12,000 GBP
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Description

  • Coleridge, Samuel Taylor
  • Fears in Solitude. Printed for J. Johnson, 1798
  • Paper
4to, FIRST EDITION, half title, with 1pp. publisher's advertisement on verso of the final page of text, full mottled calf by Riviere, gilt borders, gilt dentelles, small repaired tear to lower edge of half title, slightly worn at head and foot of spine

Provenance

Harry Buxton Forman (1842-1917), bookplate; his sale, Anderson Galleries, New York, 15 March 1920, lot 184; John Whipple Frothingham, bookplate

Literature

ESTC T1022; Wise 13

Condition

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

SCARCE. Only one copy looks to have appeared at auction in recent years. Coleridge wrote to Robert Southey shortly after the publication to express his disappointment that "there were not above two hundred sold" (19 December 1799).

The three poems - Fears in Solitude, France: An Ode and Frost at Midnight - were subsequently printed in The Poetical Register and then privately published as an octavo volume in 1812. However, the final six lines of Frost at Midnight in the quarto edition were deleted in later versions of the text.