[Shelley, Percy Bysshe]

8vo, FIRST EDITION (state with no colon following the title), ONE OF 100 COPIES, half-title, full maroon morocco by Sangorski and Sutcliffe with decorative border of flowers and leaves stamped in gilt with morocco onlays, spine gilt in compartments, gilt dentelles, top edge gilt, collector's folding cloth box, some spotting to half-title 

Ashley Library V, p.77; Granniss 62; Wise, A Shelley Library p.59

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Shelley's inspiration for Epipsychidion was the young Theresa ("Emilia") Viviani, daughter of the Governor of Pisa, who had been introduced to Mary and Claire in November 1820, and then Shelley himself in December. Viviani was confined to living in a convent until a suitable marriage could be found for her, and aroused great sympathy in the Shelleys, who sought to end "the discomfort of her captivity" (Shelley's letter to Claire, 2 January 1821). 

Shelley had the poem published anonymously in an issue of only 100 copies for circulation amongst a few of his circle. However, shortly after publication, the poet became disenchanted with both his subject and his poem, and attempted to have the remaining copies suppressed. Writing to John Gisborne in 1822, he remarked, "The 'Episychidion' I cannot look at; the person whom it celebrates was a cloud instead of a Juno."