81
81
Follower of Francesco Ruschi
THE BANISHMENT OF HAGAR AND ISHMAEL
JUMP TO LOT
81
Follower of Francesco Ruschi
THE BANISHMENT OF HAGAR AND ISHMAEL
JUMP TO LOT

Details & Cataloguing

The Vittorio & Caterina Di Capua Collection, Turin

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London

Follower of Francesco Ruschi
THE BANISHMENT OF HAGAR AND ISHMAEL

Catalogue Note

This composition is known in three versions, of which two are generally considered to be autograph: the painting in the collection of Bob Jones University, Greenville, South Carolina, dated to the early 1630s,1 and that in the Museo Civico, Treviso.2 An anonymous copy is published as in a private collection, Milan.3

1. Inv. no. 103.1; 139.7 x 190.5 cm.; see S. Pepper, Bob Jones University Collection of Religious Art, Greenville 1984, pp. 102-03, cat. no. 103.1, reproduced p. 265, fig. 103.1. 
2. Inv. no. P 153; 145 x 191 cm.; see R. Pallucchini, La Pittura Veneziana del Seicento, Milan 1981, vol. I, pp. 166-67, reproduced vol. II, p. 649, fig. 489.
3. 72 x 100 cm.; see E. Safarik, 'Francesco Ruschi', in Römisches Jahrbuch für Kunstgeschichte, vol. 16, 1976, p. 330, cat. no. 10.

The Vittorio & Caterina Di Capua Collection, Turin

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London