Lot 520
  • 520

Huang Zhiyang (Huang Chih-Yang)

Estimate
200,000 - 300,000 HKD
bidding is closed

Description

  • Huang Zhiyang (Huang Chih-Yang)
  • Three Marks Mountain Spirit No.9 (diptych)
  • ink and colour on paper, hanging scrolls
  • executed in 2007
executed in 2007
marked with two seals of the artist; signed in Pinyin and Chinese, dated and titled in English and Chinese on the reverse 

Provenance

Acquired directly from the artist
The Origo Collection

Literature

Kuo, Jason C., Chinese Ink Painting Now, Distributed Art Publishers, New York, USA; Timezone 8, Hong Kong, China, 2010, p.20

Condition

Overall in good condition. Overall hanging scroll dimensions: 416.6 by 144.3 cm; 164 by 56¾ in. each
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Huang Zhiyang is a versatile artist producing works on paper, silk and also rendering sculptures and installations that are exhibited and collected internationally. Influenced by Buddhist and Daoist philosophy, Huang’s Three Marks series represents an artistic exploration of the universe on a microcosmic level through the reconstruction of existing elements – light, water, order, mountain, spirit, etc.1 This present lot focuses on the natural form of mountains constructed by repetitive marks that resemble flames and water drops in carefully arranged patterns. Presented as hanging scrolls over four metres in height, this monumental diptych offers a visual impact full of movement and vitality.

1 Yu Guoliang and Britta Erickson, “Interview with Huang Zhiyang”, Huang Zhiyang, People’s Fine Arts Publishing House, Beijing, 2014, p. 112