- 207
Jonas Wood
Estimate
200,000 - 300,000 USD
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Description
- Jonas Wood
- French Open Four
- signed with the artist's initials, titled and dated 2012 on the reverse
- oil and acrylic on linen
- 62 by 50 1/8 in. 157.5 by 127.3 cm.
Provenance
David Kordansky Gallery, Los Angeles
Acquired by the present owner from the above
Acquired by the present owner from the above
Exhibited
Los Angeles, David Kordansky Gallery, Jonas Wood, March - May 2012
Condition
This work is in excellent condition overall. The canvas is unlined. Under raking light there are no apparent condition issues. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"My forms are not rendered spatially. My paintings of tennis courts were about an interest in abstraction, and how the court becomes a geometric puzzle. There also is text, because of the advertising. My work is under-painted with big flat shapes of color; that is how they start. They are generated from an abundance of flat planes built up on top of each other." - Jonas Wood, 2015