- 189
Cindy Sherman
Estimate
100,000 - 150,000 GBP
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Description
- Cindy Sherman
- Untitled #213
- signed, dated 1989 and numbered 6/6 on the backing board
- c-print
- image: 106.5 by 84cm.; 42 by 33in.
- framed: 126.7 by 104.9cm.; 49 7/8 by 41 1/2 in.
Provenance
Metro Pictures, New York
Acquired from the above by the present owner in 1990
Acquired from the above by the present owner in 1990
Exhibited
New York, Metro Pictures, Cindy Sherman, 1990 (edition number unknown)
Chicago, Museum of Contemporary Art; Los Angeles, Los Angeles Museum of Contemporary Art, Cindy Sherman, 2000, pp. 45, 155 and 199, illustrated in colour (edition number unknown)
New York, The Gibson Gallery, State University of New York; Normal, University Galleries, Illinois State University; Knoxville, Ewing Gallery, University of Tennessee; Wayne, Ben Shahn Galleries, William Paterson University; Lewisburg, Samek Art Gallery, Bucknell University, Issues of Identity in Recent American Art, 2001-02 (edition number unknown)
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Art; Berlin, Martin-Gropius-Bau, Cindy Sherman, 2006-07, pp. 149 and 257, illustrated in colour (edition number unknown)
New York, The Museum of Modern Art, Cindy Sherman, 2012, pp. 182 and 244, illustrated in colour (edition number unknown)
Chicago, Museum of Contemporary Art; Los Angeles, Los Angeles Museum of Contemporary Art, Cindy Sherman, 2000, pp. 45, 155 and 199, illustrated in colour (edition number unknown)
New York, The Gibson Gallery, State University of New York; Normal, University Galleries, Illinois State University; Knoxville, Ewing Gallery, University of Tennessee; Wayne, Ben Shahn Galleries, William Paterson University; Lewisburg, Samek Art Gallery, Bucknell University, Issues of Identity in Recent American Art, 2001-02 (edition number unknown)
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Art; Berlin, Martin-Gropius-Bau, Cindy Sherman, 2006-07, pp. 149 and 257, illustrated in colour (edition number unknown)
New York, The Museum of Modern Art, Cindy Sherman, 2012, pp. 182 and 244, illustrated in colour (edition number unknown)
Literature
Rosalind Krauss and Norman Bryson, Cindy Sherman: Arbeiten von 1975 bis 1993, Munich 1993, pp. 179 and 213, illustrated in colour (edition number unknown)
Condition
Colour:
The colours in the catalogue illustration are fairly accurate, although the overall tonality is very slightly brighter in the original.
Condition:
This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"When I prepare each character I have to consider what I'm working against; that people are going to look under the makeup and wigs for that common denominator, the recognizable. I am trying to make other people recognize something of themselves rather than me."
Cindy Sherman
Francesco Stocchi, Cindy Sherman, Milan 2007, p. 8