- 465
Damien Hirst
Estimate
250,000 - 350,000 USD
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Description
- Damien Hirst
- Pyrvinium Pamoate
- signed on the stretcher; signed, titled and dated 2008-2011 on the reverse
- household gloss on canvas
- 66 by 44 in. 167.6 by 111.8 cm.
Provenance
Private Collection, United Kingdom
Literature
Jason Beard and Millicent Wilner, eds., The Complete Spot Paintings 1986-2011 Damien Hirst, London, 2013, p. 583, illustrated in color
Condition
This work is in excellent condition overall. There are no apparent condition issues with this work. Under Ultraviolet light inspection there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"To create that structure, to do those colors, and do nothing. I suddenly got what I wanted. It was just a way of pinning down the joy of color." Damien Hirst