Andy Warhol

i. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

ii. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

iii. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

iv. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Jablonka Galerie, Cologne
MutualArt.com
Acquired from the above by the present owner

v. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

vi. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

vii. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

viii. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

ix. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York, Andy Warhol @ Christie’s: Members Only: Eyes on the Guise, 13-27 June 2013, Lot 146
Acquired from the above sale by the present owner

x. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

xi. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York
Acquired from the above by the present owner in 2013

xii. Estate of Andy Warhol
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Christie’s, New York, Andy Warhol @ Christie’s: Members Only: Eyes on the Guise, 13-27 June 2013, Lot 89
Acquired from the above sale by the present owner

iv. Krakow, Starmach Gallery, Andy Warhol Polaroids: Celebrities and Self-Portraits, October - November 2000, cat. no. 42, illustrated

This work is in very good condition overall. The Polaroids have faded slightly with age and there are a few scattered pinpoint white spots on some of the Polaroids that are inherent to the artist's chosen medium. On (iii.) Knives, there is previous adhesive reside visible along the left and top margins. On (iv.) Liza Minelli, there is a pinpoint green media accretion at the upper left corner of the white margin. On (vii.) Campbell's Wonton Soup, there are a few scattered pinpoint spot accretions and previous adhesive residue along the upper white margin. On (ix.) Self-Portrait in Drag, there is a pinpoint media accretion in the upper left quadrant of the image and in the upper right margin. On (x.) Knives there are two minor yellow thumbprints visible along the left white margin. Each Polaroid is secured to the matte using four Mylar clips that are concealed by the top matte. Framed under Plexiglas. i. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA09.01640 on the reverse. ii. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA04.04876 on the reverse. iii. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA09.00187 on the reverse. iv. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered TJH FA04.04946 on the reverse. v. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered VF FA09.02419 on the reverse. vi. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA02.00129 on the reverse. vii. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered FA07.00072 on the reverse. viii. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA09.01526 on the reverse. ix. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered TJH FA03.00082 on the reverse. x. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA09.00132 on the reverse. xi. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP FA05.01961 on the reverse. xii. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered FA06.00200 on the reverse.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"The manufactured uniformity of photography, like the dependable taste of Coca-Cola, appealed to Warhol, and gave him ready-made borders that he could play with or against if he chose to use a photograph as the basis for a silk-screen or a painting. So many of the artistic decisions about making a portrait had already been made by the camera that he could concentrate on the ones that had not."

Richard B. Woodward, "Introduction," in Reuel Golden, Ed., Andy Warhol: Polaroids 1958-1989, New York 2016, pp. 9-10