Lot 218
  • 218

Sigmar Polke

Estimate
90,000 - 120,000 GBP
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Description

  • Sigmar Polke
  • Untitled
  • signed and dated 2002
  • acrylic, Interference colour and spray paint on paper
  • 99.7 by 70 cm. 39 1/4 by 27 1/2 in.

Provenance

Michael Werner Gallery, New York
Private Collection, United States
Bonhams, London, 12 February 2015, Lot 11
Acquired from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly lighter and brighter in the original. The catalogue illustration also fails to convey the pearlescent nature of the Interference paint visible in the original. Condition: This work is in very good condition. The sheet is attached verso to the backing mount in several places and undulates. There are artist's pinholes to all four corners and in places along the edges. Extremely close inspection reveals a few small networks of stable drying cracks isolated to the upper layer of black paint. There is a thin diagonal crease to the upper right corner, visible in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"The raster to me, is a system, a principle, a method, structure. It divides, disperses, arranges and makes everything the same. I also like that enlarging the pictures makes them blurry and sets the dots in motion. I like that the dots switch between being recognizable and unrecognizable, the ambiguity of this situation, the fact that it stays open… Lots of dots vibrating, resonating, blurring, re-emerging, thoughts of radio signals, radio pictures and television come to mind. In that perspective I think that the raster I am using does show a specific view, that it is a general situation and interpretation: the structure of our time, the structure of social order, of a culture. Standardized, divided, fragmented, rationed, grouped, specialized…"

SIGMAR POLKE
quoted in Dieter Hülsmanns, 'Kultur des Rasters. Ateliergespräch mit dem Maler Sigmar Polke', Rheinische Post, 10 May 1966