Lot 200
  • 200

Richard Aldrich

Estimate
8,000 - 12,000 GBP
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Description

  • Richard Aldrich
  • Stranger In A Strange Land; Untitled; Gift
  • i: enamel and silkscreen on linen
    ii: wood
    iii: found object
  • i: 214 by 147.4 cm. 84 3/8 by 58 in; ii: 10.2 by 25.4 by 22.9 cm. 4 by 10 by 9 in; iii: 132.1 by 33 by 45.7 cm. 52 by 13 by 18 in.
  • Executed in 2008-09.

Provenance

Bortolami Gallery, New York
Acquired from the above by the present owner in 2010

Exhibited

New York, Whitney Museum of American Art, The Whitney Biennial, February - May 2010
London, Saatchi Gallery, Painters' Painters, November 2016 - March 2017, pp.18-19, illustrated in colour

Condition

Colour: The colors in the catalogue illustration are fairly accurate Condition: This work is in very good condition. Very close inspection reveals evidence of handling with some associated faint and unobtrusive rub marks towards the edges. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“It’s like this acceptance thing, the idea of understanding, this idea of perfection being an acceptance of one’s intuition. Like Japanese scrolls or Chinese scrolls or calligraphy. That’s what I’m most into: the idea of the perfect gesture. And what makes it perfect is just an acceptance of it for what it is. It’s like when you stop trying you can actually do it; it’s that understanding of one’s state of mind.”

RICHARD ALDRICH
in conversation with Ross Simonini, Art in America, 2015, online