- 761
A George II silver-gilt tureen-form centerpiece, circa 1735
Estimate
3,000 - 5,000 USD
bidding is closed
Description
- silver-gilt
- length 8 1/4 in.
- 21 cm
bombé oval with strapwork decoration enclosing diaper, engraved with arms in a lozenge under duke's coronet, the base with plugged holes and transposed William & Mary marks, originally the center of an epergne
Condition
as noted re. plugged holes and transposed marks, otherwise good condition, with minor surface scratches and nicks
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The arms are those of Manners for a dowager Duchess of Rutland.
The shape and quality of this piece suggest it was originally the center of an early epergne by a major maker such as Paul de Lamerie or Paul Crespin; both are also known to have used transposed marks as a way of evading duty on major commissions.