A German neo-classical gilt-bronze cut and blue glass eight-light chandelier circa 1800, probably by the Dresdner Spiegelmanufaktur

fitted for electricity

In overall reasonable condition. The glass drops have some discolouration but this will benefit from a professional clean which should restore the chandelier to its original look. There are some losses to the cut glass drop swags although again these would be easily replaced with the help of a professional. Formerly fitted for electricity although Sotheby's advises consulting a professional before undertaking any electrical work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Comperative literature:

K. Klappenbach, Kronleuchter Mit Behang aus Bergkristall und Glas sowie Glasmarmkronleuchter bis 1810, Berlin 2001, pp. 49, 74, 102, 359.

By the end of the 18th century architects started to design chandeliers as an integral part of the interior. The chandeliers made around 1800 in specialized factories in Berlin (Werner & Mieth) and Dresden (Dresdner Spiegelmanufaktur) represent the pinnacle of this development. The objects were made with the best materials available. Although the Prussian authorities dictated the use of indigenous materials, this chandelier is fitted with Bohemian glass, which was considered to be of the highest quality at the time. Around 1797 a chandelier of comparable model by the Dresdner Spiegelmanufaktur was advertised in the ‘Journal des Luxus und den Moden’ (Dezember 1797, p. 630, image 36). The laudatory description begins as follows:

“The newest taste in form and decoration of chandeliers is shown by the accompanying beautiful illustration of such a chandelier, as the Electoral Saxon Mirrorfactory of Dresden, whose tasteful work and beautiful design has repeatedly been praised in our journal, is manufacturing from now on”

The journal continues with an elaborate description of the chandelier, with particular attention to the colourful interaction of the bleu glass with the ‘crystal tears’. The reviewer of the journal praises the novelty of the use of chains instead of a central rod to connect the various parts of the chandelier, giving it a more airy appearance. The raving text concludes with the remark that the utmost tasteful design of the chandelier is very much recommended by connoisseurs.